I will introduce you to the source of the famous Oṃ namaḥ śivāya mantra. We will then recite this pañcākṣari mantra (namaḥ śivāya) 108 times. I will explain the phonetics of this mantra as passed on to me by my teacher.

For countless generations in India, this mantra of Ṛṣi Viśvāmitra is being repeated with an unquestioned faith in the sacred character of the origin and certainty of its efficacy. It forms one part of an elaborate daily practice of Hindus called Sandhyāvandanam. 

Śivamānasa pūja is the mental performance of all the steps of a Pūja traditionally performed physically at an altar, thereby, creating an inner altar through this process. Composed by Śrī Śaṅkarācārya, this chant teaches us how to do a pūja quite vividly in our mind.

Liṅgāṣṭakam is an octet (8 verses) offering salutations to Śiva in the form of Liṅga, the source of all creation. We praise Śiva the divine, as creator and creation, manifest and unmanifest, in the Liṅga.

This well known hymn composed by Śaṅkarācārya honours our source of food, our lifeline, our most basic requirement to live this embodied life.

Narasiṃha is the fourth incarnation of Lord Viṣṇu in the Daśāvatāra (10 incarnations), the unmistakable and fierce (ugra) manifestation as part lion & part man. The story of Prahlāda, the slaying of Hiraṇyakaśipu and restoration of dharma is the context behind this powerful "kavacam" - a genre of prayer that effectuates an armour to shield the devotee from harm and negative forces.

This morning prayer of only three verses, directs our mind, speech and body to the Absolute. Chanted in the morning, dawn becomes the outer symbol of our inner awakening and sets the tone for how the rest of the day could potentially unfold for us.